There are few easier ways to really tug at a reader’s heart-strings than by killing off one of their favorite characters. It’s a pretty common practice, and something any fan of Game of Thrones is far too familiar with: the sudden, perhaps unexpected offing of a beloved character, or a not-so-beloved character. The important difference here is that loved or loathed, these now-deceased fictional folks had names and families. Above all else, they had plot relevance, and so such deaths are tailored to have tremendous impact. It could be to push the plot forward, to give a protagonist that extra push towards heroic deeds, a means by which to turn a could-be villain into a fully-fledged monster, or a number of things.
Regardless, there are an awful lot of characters who seem to be marching right into the grave. It raises a curious question for writers, really. When, if at all, is it really necessary to kill off one of your darlings? At what point does such a play cheapen the story instead of strengthening it? Are there worse things for characters than death? Continue reading