Another artistic nobody’s thoughts on Tidal

Greetings from dreary Carnegie, Pennsylvania! I’m all sorts of excited for a chance to visit home, harass former coworkers, and get some down-time to relax with family and friends. It also gives me time to actually sit down, slow down, and catch up on things I’ve wanted to post about, like this newfangled thing called Tidal. I am admittedly not impressed with this business of “Tidal for All”, as it’s based in the mentality that people who enjoy high quality music also have the funds necessary to shell out $20 a month to enjoy said music. I’ll get back to that point.

I am by no means a subject matter expert on the topic of music sales and the best ways to enjoy your favorite tunes (although, to be fair, I have to suggest there is no proper or best way to enjoy music so long as there is enjoyment involved). My primary means of enjoying music are my 160GB iPod, my laptop (which features Beats by Dre speakers, a feature I wouldn’t have deliberately gotten as I think Beats are yet another overpriced novelty), and CDs played within the confines of my 2011 Toyota Corolla. None of these things are particularly complex sound systems, yet I find my music to be as enjoyable as ever. I would dare say that most human ears wouldn’t detect the differences in music quality unless there are serious issues, such as an artist constantly popping their p’s or something. Unlikely.

More to the point: most people don’t have dedicated time to sit down and listen to the finest quality of music. Music is, instead, the background anthem of long drives, housecleaning, winding down after a long day, and so on. It isn’t a matter of Joe Everyman and Jane Everywoman (I’m so sorry, that reads like such shlocky writing) and the set time they have every day to direct this premium ear-cocaine into their brains for the latest fix. The iTunes gift card my mother has sitting on the computer desk next to me only enforces my points. People buy music to enjoy it while doing other things, not to fixate and pick apart its every little detail. That’s not to say there aren’t audiophiles who won’t obsess over every tiny detail. They are, comparatively speaking, few and far between compared to the largely Tidal-alienated consumer.

Continue reading

Progress to the tune of small nervous breakdowns

Short version of an update from yesterday: I saw a cover band named Velveeta last night, indulged in a fair bit of alcohol consumption, and didn’t go to bed until an ungodly hour. Let’s not talk of this again.

My new novel-project is coming along nicely, which is good. I can’t turn that into a negative. Believe me, I’ve tried. It’s getting positive feedback so far from my beta-reader(s). There could be some level of bias there, but I also accept that these are people who I can trust because they would cautiously and kindly let me know if my writing is turning into garbage.

There may have also been mention at some point from someone–someone who happens to be me–about eventually wanting to send something to HarperCollins for publication consideration. I would have to research it, find out what all goes into such a challenge, and then make it happen. The goal wasn’t publication, but an attempt. Even a rejection would be fantastic, as it would indicate I’ve met a goal. I can also say, completely devoid of any doubts, that if I did get accepted (that if is so big that there are now billboards along major highways advertising it as a tourist attraction) I would probably have a multi-week meltdown as I processed the greatest success of my adult life. Let’s also not dwell on that.

Short version: HarperCollins does not accept any unsolicited anythings. Ever. That much I guessed even going into this, but I figured I would look into it anyway because sometimes my delusions of grandeur take on a life of their own and go crazy. This was one such time. They do, however, also have a link to a web site called Authonomy. Curiosity got the better of me, as it should in this situation, and I clicked the link. Continue reading

A worthy cause – Intervention

Hi, folks. Second post of the night (woohoo), and though I am in the middle of frenzied last-minute packing I still wanted to share this. It’s that important to me.

Intervention, or Interventioncon, the premier showcase of online creativity is up for a grant that could be a world-moving, life-changing thing for this event. All it needs is 250 votes, which should be easy to accomplish. Voting is so simple: click the following link, then click vote and connect via Facebook.

https://www.missionmainstreetgrants.com/business/detail/37955

For those of you who need convincing, read on.

What is Intervention?

Intervention is called, as mentioned above, the premier showcase of online creativity. It has been featured on many news sites of all sizes, and has been home to many brilliant, terrific guests. It’s a weekend long conference filled with educational panels on a number of topics (ranging from writing to comics to social networking and so on), tremendously fun events such as a special season premier of Doctor Who at this past year’s iteration, loads of opportunities to spread awesome and kindness to others, and a generally good time that should have more time than a weekend (I can dream, right?). I can say from experience that I leave Intervention every year I attend feeling revitalized and ready to write, create, and implement all of the new things I learned. To define Intervention in a post like this doesn’t do it justice, but there’s so much more to talk about. For more information about what Intervention is, check out its web site at http://www.interventioncon.com.

Why support Intervention?

Intervention is all about enabling independent artists in moving forward with their craft. It started as the mad, brilliant dream of Onezumi Hartstein, James Harknell, and a number of other dedicated, terrific individuals, and has grown into such a fan-freaking-tastic community since then. There is no con scene that can compare to the community Intervention has built in these past five years (plus the years it was being created behind the proverbial curtain). It’s all funded by a small group and donations. No shady corporate puppet-masters or shit like that. Enablers, people who donate on top of registration, are also very helpful (and I urge anyone who attends to provide even a little as an Enabler as it goes a long way towards keeping Intervention alive). This, however, is a chance for Intervention to receive a tremendous grant and it only requires a few clicks of the mouse (or taps of the finger if you’re on a tablet, smart phone, or other smart device). In a world where such actions are usually rewarded with refreshing Facebook to read a few new, probably boring, status updates, you could do SO MUCH GOOD INSTEAD. The statuses will still be there, but this is a chance to make a huge impact on an event that is making a huge impact on so many lives. I cannot, CANNOT stress this enough.

Vote, and encourage others to do so as well

It takes only a few seconds, and the good it could do will affect so many artists by way of this event. It costs nothing other than a few brief seconds, and it’ll leave you with a feeling you’ve done the right, good thing. Get to it.

The link, again, because pretty-please-with-sugar-vote:

https://www.missionmainstreetgrants.com/business/detail/37955

Thanks, folks, and definitely check out next year’s Intervention. I hear it’s supposed to be pretty spectacular.