The magic in The Ocean at the End of the Lane

I’ve found myself dwelling on Neil Gaiman’s novel The Ocean at the End of the Lane a fair bit lately. It became, very quickly, my favorite of his novels, as evidenced by such things as me calling it a treasure. After much pining over the deluxe edition, and many thanks to my mother (who does far more for me than I could ever hope to repay in anywhere less than a dozen lifetimes), I now sit waiting for its arrival. No single word or phrase seems adequate to describe the levels of excitement and anticipation, or the joy and disbelief, I’m experiencing over this as I impatiently await its arrival. My first edition of the American hardcover release, however, will continue to remain one of my most cherished books (I loaned it out earlier today, issuing a death threat should it return in less-than-perfect condition). I’ve thrown in a picture, because I honestly just love everything about this book (the picture’s on Instagram, which I’m learning does not like to share).

In many ways, The Ocean at the End of the Lane has gone from being a novel I loved reading to a sort of magic. To those who haven’t yet read it, I cannot recommend a fiction novel more highly than I do this one. There are some biases at work there, perhaps, but I stand firm in that assessment. To that end, I can’t help but wonder what about this particular novel really captured my heart (forgive the cliche, please). Yes, it’s beautifully written, with wonderful characters and a narrative that swept me up to such a degree I had to set the book down and focus on nothing else but accepting I had finished reading it once I’d completed the last page, but that wasn’t quite it. Tonight, in one of my more introspective moments, I think I’ve pinpointed at least a little of the magic of The Ocean at the End of the Lane, and I’m content it’s only a little. Too much understanding, I’ve learned, can spoil this sort of thing. Continue reading