This is terrifically delayed, and a departure from plot hooks because I’m in need of a palate cleanser. I’m also not as present in the TTRPG spaces as I have been previously and so I’m playing a little catch up on some of the discourse (which should shock no one).
Let’s all keep in mind these are my views and opinions on the topic(s) that follow and that they are by no means the be-all, end-all. At all.
That said?
Let’s talk about the value of Modules, especially for new DMs, DMs who haven’t run 5E as often, or DMs who have been away from running 5E.
Dungeons and Dragons 5E has no shortage of modules and multi-adventure books that can be used as a starting point for longer, larger adventuring campaigns. From as far back as Hoard of the Dragon Queen all the way through recent installments such as Dragonlance: Shadow of the Dragon Queen or the updated Phandelver adventures, modules have generally acted as a solid foundation upon which DMs could build a campaign for their table.
I could go on about how I feel modules are only as restrictive as you let them be or how they are valuable tools, but instead I’m going to switch to my own perspective and lived experience getting into DMing 5E.
My journey into DMing D&D 5E began with the whimsical, wonderful Wild Beyond the Witchlight, an adventure that takes players through the curious and captivating Witchlight Carnival and into the Feywild where they discover the land of Prismeer has been fragmented by the three witches of the Hourglass Coven into separate domains – Hither, Thither, and Yon. There are clever hooks with which to draw players into making their way to the Feywild and get them on a path to saving Prismeer, as well as different routes to getting the players to the Witchlight Carnival in the first place.
There is also plenty of room to find ways to introduce players into the world at large.
I originally had planned on running the module as-is, prepping meticulously ahead of Session 0 for how I would introduce my players to the Witchlight Carnival and its awe-inspiring inhabitants.
The day of Session 0, much of that was scrapped and gave way to Thistlewood—a little village with its own curious cast of characters, some drawn from previous games I had played in—as a starting zone of sorts. It allowed me as the DM to give breadcrumbs to the players and guide them to the carnival and the circumstances that could lead them to the Feywild. Much of the initial sessions were homebrewed details – including a security system that manifests an illusion of Tiamat, for instance.
Now please note that this is not the way to go for everyone, but if there’s anything you can take from this as a new DM or someone who is less comfortable DMing a module I would like it to be this: allow for plenty of breathing room. D&D 5E, similar to its peers, is still a game of collaborative storytelling and there is a lot of fun to be had with building upon modules with whatever the players come up with along the way.
My Witchlight game is far from over—hell, the players only just arrived in the Feywild and it’s been on-and-off for over a year (life, as it turns out, continues to happen without regard for games and other such things). Though the pacing isn’t quite where I’d want it, I wouldn’t change the experience my table has helped create for anything in the world because it is unlike any other game of Witchlight that’s been played (much like many other such games that take place in this setting have been—their own twist on the module’s material).
Have fun, stay curious, be whimsical, and of course: good luck and godspeed!
Phil's Misadventures In Fiction 