On Notebooks: Breathing Life into the Pages

I’ve absolutely got a problem, and that problem is I love buying notebooks. Pocket-sized notebooks. Large notebooks. Notebooks so big you can use them as makeshift tables. Plain or decorated. Notebooks of sorts.

Don’t even get me started on notebook brands. I’m a reformed Moleskine addict, though I still buy their products from time to time. Targeted ads call out to me, showcasing brands of notebooks I’d previously never heard of and immediately want to try out for myself.

Suffice it to say: I love notebooks, and my collection of various notebooks–many barely filled if used at all–is a testament to this. But what, I recently have wondered, is a notebook for without actually filling it with something? Is it not then just a rectangular footprint of space occupied by so much potential?

These are the thoughts that actually keep me up at night, when I am trying to drown out the world at large.

I have long treated notebooks like sacred objects, only worthy of the perfect notes to be entered into them. Once I commit to cataloguing one idea in a notebook I could not bring myself to shift gears and use it for other things. That would be blasphemy. Instead, I needed another notebook. Let’s not discuss the notebooks I didn’t even use as they were just too nice to deface and defile with thoughts made manifest by way of words in ink.

This past week included organizing, somewhat, a number of these notebooks as well as purchasing the second of three Legend of Zelda Moleskine notebooks. They have Limited Edition nonsense to them, and they are very nice, so naturally I was paralyzed initially as to what I’d use them for other than display purposes.

Over the course of a conversation with a friend on Facebook, it hit me. I had, as Smee once said, an apostrophe. An epiphany. Lightning did, in fact, strike the Notebook Center of my brain.

I would use the Zelda notebooks, all three once I finished the collection, to fully reboot and revamp the Roger & Silence trilogy, a name that makes little sense to many but was a labor of love that I want desperately to revisit. Three very snazzy book ideas deserve three very snazzy looking notebooks, no?

As writers, I think we romanticize notebooks too much. They become these sacred objects instead of empty vessels to be filled with ideas and stories, characters and far-off places poured freely from our hearts and imaginations. They are treated as perfect objects, not to be marred by the words that could easily be kept track of within those pages.

Use the notebooks. Free those thoughts and fill those pages. In doing so, those notebooks are given a soul and a story. One day they will, if nothing else, be a treasure to sift through and a source of warmth on difficult days.

Happy writing, folks.

Writing, and gloom-induced gloom

I love rainy days, but only so long as I can spend them at home. I realize that’s a bit of a tall order as I have to be at work on most-such days. That said: I love laying on the couch in the back room of my mom’s house and listen to the rain fall against the two skylights. Really dislodges the bullshit from my brain.

That said, I’m tired of the sky being a joyless gray as of late. I could easily attribute that to the dark days of a Trump Presidency (and, Hell, I am really, because he’s a thin-skinned, orange-faced puppet with a bad habit of taking to Twitter). They’re bringing me down.

Something more cheerful, however: I completed the first draft of Babel, Restored – the sequel to Dissonance in Harmony and what I wrote for NaNoWriMo. I’ve returned to working on Dissonance. It’s fun, but I can’t help but smile at the realization I’m probably unintentionally shitting up continuity without realizing it. The editing process should be…interesting.  Continue reading

Another artistic nobody’s thoughts on Tidal

Greetings from dreary Carnegie, Pennsylvania! I’m all sorts of excited for a chance to visit home, harass former coworkers, and get some down-time to relax with family and friends. It also gives me time to actually sit down, slow down, and catch up on things I’ve wanted to post about, like this newfangled thing called Tidal. I am admittedly not impressed with this business of “Tidal for All”, as it’s based in the mentality that people who enjoy high quality music also have the funds necessary to shell out $20 a month to enjoy said music. I’ll get back to that point.

I am by no means a subject matter expert on the topic of music sales and the best ways to enjoy your favorite tunes (although, to be fair, I have to suggest there is no proper or best way to enjoy music so long as there is enjoyment involved). My primary means of enjoying music are my 160GB iPod, my laptop (which features Beats by Dre speakers, a feature I wouldn’t have deliberately gotten as I think Beats are yet another overpriced novelty), and CDs played within the confines of my 2011 Toyota Corolla. None of these things are particularly complex sound systems, yet I find my music to be as enjoyable as ever. I would dare say that most human ears wouldn’t detect the differences in music quality unless there are serious issues, such as an artist constantly popping their p’s or something. Unlikely.

More to the point: most people don’t have dedicated time to sit down and listen to the finest quality of music. Music is, instead, the background anthem of long drives, housecleaning, winding down after a long day, and so on. It isn’t a matter of Joe Everyman and Jane Everywoman (I’m so sorry, that reads like such shlocky writing) and the set time they have every day to direct this premium ear-cocaine into their brains for the latest fix. The iTunes gift card my mother has sitting on the computer desk next to me only enforces my points. People buy music to enjoy it while doing other things, not to fixate and pick apart its every little detail. That’s not to say there aren’t audiophiles who won’t obsess over every tiny detail. They are, comparatively speaking, few and far between compared to the largely Tidal-alienated consumer.

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A worthy cause – Intervention

Hi, folks. Second post of the night (woohoo), and though I am in the middle of frenzied last-minute packing I still wanted to share this. It’s that important to me.

Intervention, or Interventioncon, the premier showcase of online creativity is up for a grant that could be a world-moving, life-changing thing for this event. All it needs is 250 votes, which should be easy to accomplish. Voting is so simple: click the following link, then click vote and connect via Facebook.

https://www.missionmainstreetgrants.com/business/detail/37955

For those of you who need convincing, read on.

What is Intervention?

Intervention is called, as mentioned above, the premier showcase of online creativity. It has been featured on many news sites of all sizes, and has been home to many brilliant, terrific guests. It’s a weekend long conference filled with educational panels on a number of topics (ranging from writing to comics to social networking and so on), tremendously fun events such as a special season premier of Doctor Who at this past year’s iteration, loads of opportunities to spread awesome and kindness to others, and a generally good time that should have more time than a weekend (I can dream, right?). I can say from experience that I leave Intervention every year I attend feeling revitalized and ready to write, create, and implement all of the new things I learned. To define Intervention in a post like this doesn’t do it justice, but there’s so much more to talk about. For more information about what Intervention is, check out its web site at http://www.interventioncon.com.

Why support Intervention?

Intervention is all about enabling independent artists in moving forward with their craft. It started as the mad, brilliant dream of Onezumi Hartstein, James Harknell, and a number of other dedicated, terrific individuals, and has grown into such a fan-freaking-tastic community since then. There is no con scene that can compare to the community Intervention has built in these past five years (plus the years it was being created behind the proverbial curtain). It’s all funded by a small group and donations. No shady corporate puppet-masters or shit like that. Enablers, people who donate on top of registration, are also very helpful (and I urge anyone who attends to provide even a little as an Enabler as it goes a long way towards keeping Intervention alive). This, however, is a chance for Intervention to receive a tremendous grant and it only requires a few clicks of the mouse (or taps of the finger if you’re on a tablet, smart phone, or other smart device). In a world where such actions are usually rewarded with refreshing Facebook to read a few new, probably boring, status updates, you could do SO MUCH GOOD INSTEAD. The statuses will still be there, but this is a chance to make a huge impact on an event that is making a huge impact on so many lives. I cannot, CANNOT stress this enough.

Vote, and encourage others to do so as well

It takes only a few seconds, and the good it could do will affect so many artists by way of this event. It costs nothing other than a few brief seconds, and it’ll leave you with a feeling you’ve done the right, good thing. Get to it.

The link, again, because pretty-please-with-sugar-vote:

https://www.missionmainstreetgrants.com/business/detail/37955

Thanks, folks, and definitely check out next year’s Intervention. I hear it’s supposed to be pretty spectacular.

Why Intervention matters

My Enabler t-shirt, which states I'm partially to blame for this (this being Intervention 2014).

My Enabler t-shirt, which states I’m partially to blame for this (this being Intervention 2014).

It’s certainly proving to be a rainy, dreary Saturday in Rockville, but that doesn’t seem to be doing anything to dampen Intervention-goer spirits. This is my fourth year attending Intervention, The Premiere Showcase of Online Creativity, out of its five years running, but it still feels like something very new and refreshing experience.

This morning, I attended Onezumi’s panel on marketing. I’m very bad at marketing, and have come to grips with that (and for anyone who needs evidence of these claims, I invite you to look at my inability to really use hashtags all that well). Like with many of the events at Intervention, I feel as though I got a lot more out of it than the short blurb provided in the events program.
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Shameless Saturday Shilling: the SciFi Valley Con edition

I feel like it’s been a bit too long since I’ve politely suggested, in the form of throwing links, checking out other great art by other terrific, creative people. After eight hours at work today, I rewarded myself with some time at Altoona’s very own Sci-Fi Valley Con. I’d really hoped to make it for even a little bit, if only to get my picture taken with a replica TARDIS, but I failed to think about the best part about cons like this.

The artists! I picked up a good few treasures today, and have plans to go again for a bit tomorrow. However, for the sake of sharing with those of you who can’t make it, here are some artists worth checking out.  No real order to these, by the way. The general rule of thumb for me: I was far more likely to check out a person’s work, and make a purchase, if they were friendly and engaging to the people passing by.

I didn’t warn these unfortunate, talented people I’d be shamelessly shilling their sites on here. I wasn’t paid for it, either. There were just too many awesome artists at Sci-Fi Valley Con, and I couldn’t help but share with you, my dear readers, because the only thing better than meeting indie artists is sharing them with other people (who, in turn, should buy from said artists).

I’ll update the list tomorrow once I obtain additional business cards. Continue reading