It’s Wednesday, and I believe I promised a big reveal today.
…
If only I could remember what that thing was.
It’s Wednesday, and I believe I promised a big reveal today.
…
If only I could remember what that thing was.
“Happy Sunday,” said nearly no one ever. Hopefully, wherever you, the weather is pleasant, the day is not dominated by busy work, and Monday isn’t creeping in too fast. If it is, send Garfield after it.
He hates Mondays.
Fridays are much nicer. Without giving away too much, I should suggest there might be something new happening on Friday. Some sort of writing, perhaps? Maybe I’ll give away more details around Wednesday. Continue reading
One week into the new year, and one week of goals tackled. It’d be easy to say I did great or poorly, but I’m stepping back as far as I can and trying to assess my progress this year in terms of efforts made versus efforts that could have been made.
Similarly, I’m also trying to give myself distance from my goals because I briefly toyed with the idea of doing a third Hundred Days of Blogging, but almost immediately realized that is a horrible idea that will only end in misery and sleep deprivation. Lord knows I need less of both of those things.
Hello, Wor(l)dPress.
In typical fashion, I’ve taken an extended time between posting. In typical fashion, I have been mad at myself for doing so and wondering why, oh why, do I still maintain this. That last part is a bit exaggerated, though. I covet my domain on here like a dragon with gold.
Today, while driving home from work and alternating between the current CD in my car and NPR (Kai Ryssdal hosting Market Place and PRI’s The World make my soul happy), I had a thought. It hit me hard, square between the eyes, and with all of the abrupt unapologeticness (that is a word, damn it) of such in-transit revelations.
I am not my heroes. I will never write like Neil Gaiman. I will never be the next Terry Pratchett. My works won’t be on the same level as Douglas Adams or Christopher Moore.
…
And those aren’t the things that I should want. I’m none of those people. My writing is my own, with influences from the writers I enjoy but also years of me finding and refining my own voice. There is some humor, some dark fantasy, and a whole lot of whatever the Hell I’ve turned into in terms of narrative voice and creativity. I am way more okay with that than I ever realized. At the end of the day, what is most important to me is continuing to write, continuing to strive towards publication, and (to a lesser degree) dreaming of somehow, someday becoming a well-known writer.
And so I continue.
This post brought to you courtesy of Sia’s “The Greatest”, which I have had on repeat as some sort of anthem to fend off any stress from recent weeks (I couldn’t say why if I tried, but I enjoy that song entirely and unapologetically), and the glass of Laphraoig Quarter Cask I’ve been nursing for over an hour now.
Or, really, admitting that I’m a bit challenged. I haven’t decided yet.
I have a headache. It has been a trying, busy sort of day. I’m drinking a glass of scotch that was aged in bourbon barrels because I wanted scotch, I wanted bourbon, but I also couldn’t justify that kind of drinking on a Tuesday. Did I mention I have a headache?
This weekend provided a sort of fine point to a murky, nebulous series of thoughts I’ve had lately in regards to my writing. They have been mean, loud, and generally unpleasant thoughts. This point is actually more of a thought-out, nicely worded middle finger to those thoughts because I’m tired of being my own punching bag, tearing myself down, and fixating on the difficulties of writing instead of the actual craft and the joy I derive from it. Case in point: I’m really enjoying writing this, even though it’s largely unplanned, because I am applying no pressure to myself to get it done. There is no arbitrary deadline, nor is there some comparison to other writers and their work. When I hit Publish, it will appear on my site (with all typos that sneaked past my lazy editorial eyes tonight; you may live this once, typos). Continue reading
Some people wake up in the middle of the night, drenched in sweat and certain they are forgetting something important in their daily routine. I don’t exactly experience that, but I do recall, from time to time, I have been neglecting Misadventures In Writing. Again.
Admittedly, that’s a bit stupid of me since I do pay for the domain name and all, but…Right. Moving along.
I’ve been busy lately. There are a few factors to this, ranging from my new job (hooray!), being in a great relationship (hooray!), and some personal crises (the opposite of hooray), but I’m happy to report I’ve been finding time for writing. Not as much as I should be, but I’m still managing to get some writing done on most days. I’d call that a success.
In that regards, I’d like to direct attention to my latest Misadventure: my project on Inkshares, which is also the current novel I’m working on (and the product of the world-building I posted here). The novel’s working title is Dissonance in Harmony, and it’s receiving a fair bit of praise.
The project can be seen here. Now, this is where I need help. In order for a project on Inkshares to see publication, it needs to meet, at the very least, a light publishing goal of 250 pre-orders. That’s any pre-orders a project receives, including eReader-only ones. All support–sharing the link to my project, following along, or pre-ordering in any way–is greatly appreciated.
What I really like about Inkshares is that it allows me to post chapters as I like. It sweetens the deal a bit, I think, to have a chance to read some of what you might be supporting. The first four chapters are available for perusal; if you like what you see, please consider a pre-order?
On that note: it’s Easter, and dinner is almost ready. Om nom nom.
…and a little teasing.
In case any of you have been curious as to what I’m up to, writing-wise, I wanted to tease a little of one of my more recent novel ideas. Instead of just giving away some of it, however, I thought I’d share the world-myth as a little bit of a tease.
Bits and piece of this had solidified a while ago, but some of the finer details really solidified today. I’m really pleased with what I have here–though it should be noted this is a first draft of an idea that is being fleshed out in a full novel–and so I hope it’s an enjoyable read. Continue reading
There’s a lot to be said about dialogue attributions in writing. Sure, there are a billion ways to show a character is talking without going anywhere near the word said. If a character is angry, they might shout or yell something. Sad? They may cry or blubber. Happy? They might declare cheer. And so on and so on. There are grunts and grumbles and mumbles and whispers, too. So many ways to get the same ideas across that it’s absolutely maddening to think about. Why, then, do writers choose to instead stick to a steady stream of characters saying things? He said, she said, they said, and everyone else in between said.
I don’t have a right answer, but I have the answer I agree with more strongly. I’m actually fairly certain I’ve written on this topic before, now that I think about it. For the sake of keeping it fresh in people’s minds and because I haven’t got any better ideas. When everyone is going about saying things different ways, each attribution becomes a giant red flag of who is doing the talking. Every time someone opens their big, fictional mouth to shout or whisper or grumble, it turns into another distraction. Uniform use of said, with the occasional use of asked, allows attribution to blend in with the dialogue. The words being spoken are given center stage while the attributions work the flies and levers used by stage crew.
Let me emphasize this point: I don’t think there’s anything wrong with using varied dialogue attributions. I think it’s better, for the sake of easier reading, to focus on using something that will allow the focus to fall on the dialogue itself, the actions, and the scenes. These repetitive attributions serve a greater purpose in the overall narrative. More importantly, though they serve this greater purpose they also don’t happen to be important enough to worry that they’re repetitive. That’s why, barring boring dialogue and bland characters, the he said she said business just blends in with the background noise.
The reality of it is that writers can choose to go either route without major detriment so long as there’s compelling writing backing it up. I just happen to prefer said to the collection of other possible choices.
Oh, no, you might think. He’s not trotting out this tired, old horse again, is he? Yes. Yes, I am. And I’ll keep doing so until voices from behind upturned noses stop declaring fantasy and science fiction as genres that have quietly wandered off into obsolescence. Also: for some reason, I found my brain stuck on this topic again first thing after waking up and so I figured that was a good sign I might as well run with it. Especially since my brain has been, from a creativity standpoint, been reduced to being able to produce little more than Post-It Note short stories during down-time at work.

Someone filled all of the Post-It dispensers with Pepto-Bismol Pink notes while I was away on vacation.
Fantasy and Science Fiction are just like any other genre in that they are only limited by the boundaries of imagination, and also in the sense that at least one stuffy academic will point out all of the perceived inherent flaws they hold within.
Before I go too much further, I will admit that there are stories that have been played out a good deal. That’s true of all genres. However, I counter this point by saying that no two writers have identical voices, even if one is trying to imitate another. There will always be some small differences, and as such it could be argued that no two stories written by two different people are ever really the exact same thing. Yes, fantasy has some limitations. If it’s historical fantasy, it’s easy to say that Medieval towns weren’t and were equipped with certain things. Science Fiction has to have some basis in science or it won’t really work. Or we could, perhaps, reflect on these works being of ones of fiction, and their end-goal is to provide some level of fanciful adventure to worlds like and unlike our own. If someone decides, for instance, that the Cloud Dwellers of Stratospheria are why wind turbines are banned in the future as sources of alternative energy as they are perceived as violent acts of war, that’s entirely up to the writer. There’s plenty of room in the world for all variations of science fiction and fantasy, and there will most certainly always be a market for it as there will always be room for escapism. Continue reading
Vacation time has weird, magical properties. It begins slowly, passing like standard time. Suddenly, before you know it, the week’s over and it’s time to go back to work. I realize, of course, I’m getting ahead of myself. Tomorrow’s Thursday, which means I have three more days of this week. Possibly one next week, but I can’t remember my own schedule (This is somewhat embarrassing, I should note, as I make the schedule. Womp womp.) at the moment. I’ll be heading back to good ol’ Altoona in the morning, which means I’ll be getting to cleaning and unpacking and whatnot. Alternatively, I still have plenty of time to squeeze in a little more rest and relaxation.
Tonight’s title is a bit inaccurate, as I’m only gradually migrating back towards striking a balance in terms of how much fiction writing, blogging, and reading I do in a week. I’ve done more reading and writing this week than previous weeks, which isn’t saying much since my fiction writing has been lagging. So has my reading. Shit happens, really. The important part is that I’m making progress, so instead of belaboring the point I’m going to enjoy a bit more work on my novel-in-progress later, but not before enjoying the company of my mom and stepdad.
Meanwhile, enjoy this lovely song from Steven Universe: